Visualizing Egypt
portes grátis
Visualizing Egypt
European Travel, Book Publishing, and the Commercialization of the Middle East in the Nineteenth Century
Banas, Paulina
American University in Cairo Press
04/2025
404
Dura
9781617976674
Pré-lançamento - envio 15 a 20 dias após a sua edição
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List of Figures
List of Plates
List of Abbreviations
Acknowledgments
Introduction: Making it "Real": Illustrated Books on Egypt as Sites for Knowledge Production, Commercial Mediation, and Technological Investigation
Part 1: From the late 1830s to the 1850s
1. Making it "Modern": The Publisher's Perspective and the Marketing of the Nile Valley
2. Observing, Recording, and Building the Archive: The Author's Perspective
3. Creating Cultural Tropes: The Publishers, the Authors, and the Politics of Circulation of Visual Sources
4. Recasting Stereotypes? Multivocal Reading through the Artist, Writer, and Audience's Perspective
Part 2: The 1860s and 1870s
5. Conflicting Viewpoints and New Visualization Strategies: The Audience, Publisher(s), Author(s), and the Printmakers
6. The Authors, the Uneven Politics of Citation and Collaboration, and the Reuse of Commercial Photographs
Epilogue: The Venture of Orientalist Publishing
Notes
Bibliography
Index
List of Plates
List of Abbreviations
Acknowledgments
Introduction: Making it "Real": Illustrated Books on Egypt as Sites for Knowledge Production, Commercial Mediation, and Technological Investigation
Part 1: From the late 1830s to the 1850s
1. Making it "Modern": The Publisher's Perspective and the Marketing of the Nile Valley
2. Observing, Recording, and Building the Archive: The Author's Perspective
3. Creating Cultural Tropes: The Publishers, the Authors, and the Politics of Circulation of Visual Sources
4. Recasting Stereotypes? Multivocal Reading through the Artist, Writer, and Audience's Perspective
Part 2: The 1860s and 1870s
5. Conflicting Viewpoints and New Visualization Strategies: The Audience, Publisher(s), Author(s), and the Printmakers
6. The Authors, the Uneven Politics of Citation and Collaboration, and the Reuse of Commercial Photographs
Epilogue: The Venture of Orientalist Publishing
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Art;History;criticism;theory;sociology;language;discipline;industry;Europe;France;reading;illustration;market;representation;colonial;nineteenth century;Napoleon;printing;technology;Britain;islamic;architecture;sales;circulation;writer;Emile Prisse d'Avennes;orientalist;commercial;modern;nile valley;archive;author;tropes;politics;visual;sources;stereotypes;printmakers;citation;photographs;Birmingham;culture;North Africa;Sorbonne
List of Figures
List of Plates
List of Abbreviations
Acknowledgments
Introduction: Making it "Real": Illustrated Books on Egypt as Sites for Knowledge Production, Commercial Mediation, and Technological Investigation
Part 1: From the late 1830s to the 1850s
1. Making it "Modern": The Publisher's Perspective and the Marketing of the Nile Valley
2. Observing, Recording, and Building the Archive: The Author's Perspective
3. Creating Cultural Tropes: The Publishers, the Authors, and the Politics of Circulation of Visual Sources
4. Recasting Stereotypes? Multivocal Reading through the Artist, Writer, and Audience's Perspective
Part 2: The 1860s and 1870s
5. Conflicting Viewpoints and New Visualization Strategies: The Audience, Publisher(s), Author(s), and the Printmakers
6. The Authors, the Uneven Politics of Citation and Collaboration, and the Reuse of Commercial Photographs
Epilogue: The Venture of Orientalist Publishing
Notes
Bibliography
Index
List of Plates
List of Abbreviations
Acknowledgments
Introduction: Making it "Real": Illustrated Books on Egypt as Sites for Knowledge Production, Commercial Mediation, and Technological Investigation
Part 1: From the late 1830s to the 1850s
1. Making it "Modern": The Publisher's Perspective and the Marketing of the Nile Valley
2. Observing, Recording, and Building the Archive: The Author's Perspective
3. Creating Cultural Tropes: The Publishers, the Authors, and the Politics of Circulation of Visual Sources
4. Recasting Stereotypes? Multivocal Reading through the Artist, Writer, and Audience's Perspective
Part 2: The 1860s and 1870s
5. Conflicting Viewpoints and New Visualization Strategies: The Audience, Publisher(s), Author(s), and the Printmakers
6. The Authors, the Uneven Politics of Citation and Collaboration, and the Reuse of Commercial Photographs
Epilogue: The Venture of Orientalist Publishing
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Art;History;criticism;theory;sociology;language;discipline;industry;Europe;France;reading;illustration;market;representation;colonial;nineteenth century;Napoleon;printing;technology;Britain;islamic;architecture;sales;circulation;writer;Emile Prisse d'Avennes;orientalist;commercial;modern;nile valley;archive;author;tropes;politics;visual;sources;stereotypes;printmakers;citation;photographs;Birmingham;culture;North Africa;Sorbonne
